The Cow in the Room: An Author’s Place in the Publishing Industry

By Sarah White

I originally wrote this piece in 2006. I’m dusting it off & publishing it now because I will soon announce big publishing news for yours truly. I am somewhat more sanguine about the book publishing industry today, now that I’ve broken out of the business how-to genre. But there’s still a cow in the room.

I live in Madison, Wisconsin, where the World Dairy Expo dominates the calendar each year. Thousands of vendors and farm managers converge – as well as thousands of cows  –  to showcase and test the latest in dairy equipment.  The World Dairy Expo comes to mind whenever I think of my experience with book publishers at the American Booksellers Association’s annual convention, BookExpo.

In early 1995 my first book was published, a how-to titled Do It Yourself Advertising for Adams Media Corporation. Adams had wrangled a speaker’s slot for me to give the booksellers advertising advice at the Expo that year. I did not work the convention to promote book sales the way a more motivated author might have. Even though I wore the prestigious “AUTHOR” name badge around my neck, which commanded a flattering degree of attention, I was intimidated. I fled for home as soon as my speech was over.

The next year I returned to the BookExpo in Chicago because the first book had led to a second offer. This time from the Complete Idiots Guide series, for a book on marketing. The publisher’s acquisitions editor would be in Chicago for the Expo and we would take a meeting–me represented by the freelance acquisitions editor J.W. who had arranged my first book deal (and given himself a co-author credit, as I discovered when he handed the first copy to me and I saw both our names on the cover.) J. and snakes have a fair amount in common, but he’s the only contact I had in publishing and I relied on him to lead me through the snake pit as only a denizen could.

And so in 1996, I found myself again at BookExpo, waiting for the appointed time for this meeting.  Again I wore the coveted “AUTHOR” name badge, which had an effect something like a halo in this gathering of people who worship books.

I did a circuit of the tradeshow floor, then went to the exhibit of Adams Media. A sales rep read my name badge and reacted with delight – “Oh, you’re one of OUR authors.“ He motioned for me to come deeper into the exhibit booth. “Sit down, rest a while with us. Here, you can sit on the white couch. It’s reserved for our authors.” He shooed a couple of salesmen from the couch into the folding chairs nearby, then introduced me. In regal glory I sat alone on the white couch, enjoying their attention. When the time came, I rose from the white couch and excused myself. “I have to go meet with a publisher about my next book.”  Does it get any better than that?

For several years in the mid 1990s the BookExpo was held in Chicago’s cavernous McCormick Center, the only venue big enough to host this gathering of publishers and booksellers. Entire product lines are decided there, and a number of publishing contracts are signed, as publishers use the occasion to meet with authors.

The BookExpo furnishes a room just for publishers meeting with authors about books – you have to have an invitation from a publisher to get in.

The main feature of this special room is food. There was a long buffet – spiral-cut ham, smoked salmon, fresh fruit and vegetables, warm croissants, muffins, more and more wonderful-looking food. Conventioneers outside this room were spending $8 on Chicago-style hot dogs and $5 for Starbucks coffee. Inside this room authors like me were enjoying much better fare, and for free.

I immediately loaded up a plate, then joined my snake/handler J. at a table. Dick from the Idiots joined us, a little bowling ball of a man with a hard-driving style. J. handed him a copy of my first book. Dick weighed it in his hand, checked the table of contents, flipped quickly through its pages. Then he began to ask J. questions about its development. The questions flew between J. and Dick as I sat between them, munching my salmon and melon wedges, my mini-croissants and muffins. Barely a word was addressed to me. Astounded, I watched and munched.

This was the equivalent of the dairy equipment vendor cutting a deal with the farmer, and I was the cow. Once they had figuratively hefted my teats and judged I could produce, my contribution to this meeting was over.

This was the equivalent of the dairy equipment vendor cutting a deal with the farmer, and I was the cow.

I wanted to be back on the white couch, enjoying the fawning attention of salespeople. This was a little too real. I wanted my fantasy of authorhood back.

My advice to would-be authors is a warning. You will be producing milk for publishers and booksellers to haggle over. Your carefully chosen words are to them a commodity. They have no interest in your beautiful precious mind, only your ability to distill its contents into a marketable fluid they can pour onto pages and sell at 40% discount on Amazon.

Write if you want, pursue publication if it pleases you to do so, and sit on the white couch when it’s offered. But don’t ever think the process is about you.

© 2024 Sarah White

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Amelia Bedelia Moments

By Janet Manders

Image credit: https://www.icanread.com/characters/amelia-bedelia

Growing up, one of my favorite children’s books was “Amelia Bedelia”. I always smiled broadly at Amelia’s misunderstanding of language. Her silly behaviors that were a result of her literal interpretation of directions often had me laughing out loud. I’ll never forget when she was told to dust the furniture. Instead of grabbing a feather duster, she sprinkled dust all over the chairs, tables and couches. A classic, amusing moment in the life of Amelia Bedelia.

I thought of Amelia Bedelia the other day when someone told me the joke about a woman who texted her husband with the message, “Windows frozen, won’t open.” In his electronic response, he advised her to pour some lukewarm water over it and then gently tap the edges with a hammer. Ten minutes later she texted him back to say, “Computer really messed up now.”

The potential for texting miscommunications, similar to that poor couple’s experience, has been an ongoing topic of conversation between my friends. Several in my circle have reached the conclusion to significantly limit their use of technology to converse with others. Because of the inherent challenges, they especially avoid texting. I understand their desire to avoid the potential misinterpretations that exist. And yet, I have chosen to keep using tools offered on my various electronic devices for chatting with friends and family.  I’m willing to take the risks to stay connected to my children, as well as my young grandchildren who are fascinated by and quickly increasing their use of technology.  I believe my commitment to remaining current with what the younger generation has in their back pocket is the best way to stay a part of their world. On the other hand, I have to admit, it’s also leading to more frequent Amelia Bdelia moments in my life.

The other day I was providing childcare for my seven-year-old granddaughter, Cora and her one-year-old brother, Zay. Zay was napping in his crib, on the second floor, while Cora was in her bedroom coloring. As usual, her tablet was right next to her for further entertainment. Capitalizing on what I hoped would be a few minutes of peace and quiet, I told Cora I would be in the backyard and then added that she should call me if Zay woke up. Shortly after settling into a cushioned patio chair with my book, the sliding glass doors opened. There was Cora with a bright red face, carrying her twenty-five pound brother. Dangling in her quivering arms, his feet were only two inches from the ground. Thoughts of the flight of stairs she had just navigated with her heavy load had me shuddering. I jumped up to grab the wiggling bundle from Cora. Once he was safe in my arms, I gently scolded, “Cora. I told you to call me when Zay woke up.”

She simply replied, “Grandma. I did call you. You didn’t answer.”  Then looking around she asked, “Where is your phone anyway?”  Her call had come via the messenger app on her tablet to my phone which was inside the house on the kitchen table. Clearly, between the two of us,  there were different ideas of what “call” meant.

There’s no doubt in my mind, as my grandchildren become more proficient with technology and the language of a different generation, our Amelia Bdelia moments will only increase. I can resist the misunderstandings by putting my phone away. Or, I can keep it closer to my side to experience the silly little mishaps that will occur. And to enjoy the ensuing grins, that I wouldn’t trade for anything.

© 2024 Janet Manders

Janet is a newly retired Occupational Therapist who enjoyed a career of working with Public School Teachers to support students to be successful academically, socially, and emotionally. She has always enjoyed books and is currently working on a memoir along with picture books for children.

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Mom goes to the Boston Store

By Faith Ellestad

Mom called.

“Hello, Faith?”

“Hi, Mom, it’s me. What’s up?”

“Well, your brother called.  Carina is graduating from law school and I am invited to the party.”

“Gee, that sounds like fun,” I suggested, knowing there was more to come.

“Oh, I suppose they thought they had to invite me because I’m her only remaining grandparent.”

“I bet they actually want you there because who wouldn’t want their Grandma at their graduation party?” I responded, aware that her life-long social anxiety often took the form of dour self-deprecation.

“Maybe,” she said grudgingly.  “But I will need an outfit.  I don’t have anything suitable to wear.  I never go anywhere, you know.”

Mom (Charlotte Fowler)–she loved being stylish.

The unspoken ramifications of this conversation were not subtle. 1. My husband and I would also be attending the festivity because Mom was a frail ninety-year-old and couldn’t get there without help. 2. There was an unmistakable implication of guilt implicit in her tone. 3. I, too, would need a new outfit, and 4. God help me, we would be shopping together.

“How about if we plan to go to the Boston Store and find you something to wear?’ I asked in what I hoped was an encouraging and cheerful tone.

“I guess we could do that,” she said, sounding more upbeat than earlier.

We made a plan to go that Sunday, and I could tell she was looking forward to our mother-daughter trip far more than I. Mom was a super-bright and very independent woman who rarely kept her opinions to herself. With the progression of time, her inhibitor cells, if she ever actually had any, had pretty much disappeared. Her outspokenness could be challenging to deal with for people with actual self-esteem who preferred to avoid public humiliation, but lacking that defense, I just employed more of a duck-and-cover strategy when we were out together.

To make this shopping trip successful for her and less stressful for me, since our ideas of fashion were diametrically opposed, I had formulated a crafty plan. I would pretend we were both looking for outfits, but we would really just find things she liked and I would go alone another day. Mom was in high spirits as we set out. I was cautiously optimistic at best, having been down this aisle many times before.

I knew it was going be a tough slog as soon as we got into the Petites section.  Mom steered her walker over to a rack, reached out for a soft pastel print blouse, felt it with two fingers, and proclaimed to anyone within hearing range, “Don’t you just hate those colors?” 

Of course it was just the type of thing I liked, so I muttered quietly,

“Oh, I don’t think they’re so bad,” realizing I would certainly not show up at the event wearing anything remotely resembling that blouse. 

Mom’s fashion dictates at the time included bright solids, stripes, and plaids, but not pastels, paisleys, or prints, especially, what she described as “washy prints.” Well, that narrowed the scope of clothing choices, and her age lowered her endurance, so our default destination became, of necessity, Moderate Sportswear.  I darted around like a guppy in a fish bowl, grabbing anything that looked remotely promising.   From the comfort of a bench in the fitting room, Mom held forth, loudly rejecting various elastic-waist pants, as “old lady clothes,” ditto several shirts as having “slingey” material. Finally, we settled on a crisp cotton blouse striped in cheerful spring colors and a pair of cream slacks that could be worn by ladies of all ages. While Mom rested in a chair, I pretended to try on a skirt, rejected it, and suggested we check out.

As we approached the check-out station, several customers already in line were treated to Mom’s acerbic dissertation on the evils of credit cards, the annoying machines that took them, modern technology in general, and the irritation of having to use coupons when the stores could JUST CHARGE LESS in the first place.

“Time to start back,” I said, probably a bit too eagerly. “We don’t want to fight rush hour traffic.”

“No, but I want to go past the shoe section first.  I might get a pair of Keds if they’re having a reasonable sale,” she declared.

I assumed “reasonable” meant “nearly free” to Mom who was nothing if not frugal, but I was determined to let her set the agenda. She seemed to have more energy than I, by this time.        

 “OK,” I agreed, steering her in that direction.

 After another brief chair rest in the footwear department, which had become quite busy, she decided she didn’t really need more Keds, and we might as well leave.  But she wasn’t done with me yet.

We were about to exit the department, when she stopped to watch a stylish young woman admiring a very pretty pair of steeply wedged silver sandals with ankle straps. Immediately after the woman set them down, Mom trundled over and grabbed one. Quickly completing her examination, she turned to me, and in her most ringing stage voice, proclaimed for all to hear,

“Oh, look.  Slut shoes!” 

Unfortunately, I had forgotten my cloak of invisibility. With no quick escape possible, I just lowered my head and avoiding all eye contact, hustled her out as quickly as she could shuffle.

Mom had goals. She told me on numerous occasions that she didn’t want to be a “sweet old lady,” she wanted to be a “great old gal.”  It took her 98 years, but she reached them both.  Me, I have no goals.  I’m still recovering from hers.

© 2024 Faith Ellestad

Faith has been writing to amuse her family since she was old enough to print letters to her grandparents. Now retired, she has the opportunity to share some personal stories, and in the process, discover more about herself. Faith and her husband live in Madison, Wisconsin. They are the parents of two great sons and a loving daughter-in-law.

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November 1, 2011

By Jay Akin

It’s 9 AM on a Tuesday. I’ve never been in so much pain in my life! I’ve never broken a bone or birthed a child so I don’t have those as reference points. The next level of agony that I have experienced was probably my wisdom teeth at nineteen or tonsil removal at seven. I had some rather strong drugs to help me those times. So far I’ve been alternating between ibuprofen and acetaminophen every four hours and it’s doing nothing for me. I guess the pain would be even worse without them. Dr. Weaver will fix me!

This all started on Saturday night. Well, that’s when the pain started. The concept that led to the pain started about a week earlier when I was dead set on winning the costume contest at work. I went to Joannes Fabrics for the material and the foam for the headpiece. Do you know how difficult it is to find a hula hoop around Halloween? I found some thick tubing and duct tape at Menards. It’s going to work!

I recruited my ten-year-old to help me with gluing the headpiece and cutting the arm portions while I iron the adhesive tape to the main garment. I probably could’ve borrowed a sewing machine from someone but this worked.

“This is going to be crazy!” my daughter, says as she uses the hot glue to get the headpiece just right.

“Crazy awesome! Am I right?” I put my hand up for a high five but she’s focused on her gluing. I don’t want her to have a core memory involving a hot glue gun and being distracted so I slowly put my hand down. “Are you excited for your party tomorrow?” I ask.

She shrugged her shoulders. “Mom says I don’t have to stay the whole night if I don’t want to.”

“That’s right. Just give her a call and she’ll pick you up.”  I plan on drinking heavily tomorrow so her mom has rescue duties. Alexis has still not forgiven me for rescuing her last time. I didn’t realize nine-year-olds hold such a grudge!

We finish up the costume and try it on. “You. Look. Ridiculous!” She exclaims. I did the special “dance” and she busted out laughing. “You’re going to win first place for sure!” I got to make her proud!

I dropped her off the next morning for her sleepover. She has her 90s punk rockstar costume and enough hairspray to open a hole in the ozone. I called Jeremy to see when he wants to meet up to go downtown. He recently moved out of my basement at the beginning of the month and into his home, a couple blocks away. I wonder if helping him move last week caused some of this pain. Then I remember the “dance”. It was all me!

We head downtown. He is dressed as Walter White from “Breaking Bad” and me as “name redacted for dramatic climax in storytelling.”

“Are you lava?” Green army man asks. I do the dance. “That’s awesome!”

“Are you a devil?” Indiana Jones asks. I do the dance.”That’s worthy of a coin.” He takes out a chocolate coin from his bag for me. I assume it’s drugs and give it to Jeremy.

“Oh you’re definitely a flamer!” Fred from Scooby Doo, says. Daphne slugs them in the shoulder. I do the dance. “From the ‘Family Guy’ episode! Nice!”

The next day at work is a bit of a blur. The throbbing head pain was calmed by the ibuprofen and the back started to hurt a little, but no neck pain yet. That’s still to come…

Monday at work I get the same questions from most of the customers about what I am until the dance, then they get it. My favorite guess was a red sock. If I could go back in time and agree that he was right, I think my life could have taken a different turn. I do the little dance and instantly there is shooting pain in my neck. I’m a professional in my costume at this point. A little neck pain ain’t going to stop me! A little neck pain turned into a lot of neck pain real quick! It wasn’t a decapitating amount of neck pain at this point so I just add acetaminophen into the rotation. By the time I leave work, I feel better and call Jeremy when I get home to see if he still wants to go out to the gay bar for their Halloween show. Everyone knows Halloween is the number one gay holiday. “For sure!” he says. “I’ll change and head over.”

He opens the door without knocking like he still lives here. I, of course, will be in the same costume, despite the dance getting more and more difficult to perform. He walks in wearing nothing but his 3-inch inseam shorts, running shoes, and the number from the last marathon he ran taped to his back. We head to the bar and have to park a bit away. On the walk over to the bar, someone yells out their truck as we are walking, “Fag!”

“Are you OK?” he asks. I look at him puzzled.

“Why would you think that he was yelling at me?” as I wave my hands over my outfit. “While you are dressed like this?” as I waive my hands over his shorty shorts.

By the time the drag show is over I’ve done enough “dancing” for the night showing off my costume. Jeremy has found a sexy female nurse so we stick around for a bit. As much as he enjoys the attention from us gays he’s glad to know that our hot single lady friends will be around also. I get home alone around 2 AM, he will get a ride back to his house in the morning from Mindy or was it Mandy? I don’t remember. I instantly fall asleep only to wake up a few hours later in the most excruciating pain of my life.

I called Dr. Weaver and he can see me at 9 AM. Ever since my primary care doctor ordered a $2300 CAT scan of my brain before entertaining alternatives medicines I’ve decided to go to the chiropractor first and primary care second. In reality, I meet my deductible with my allergy shots anyway so bring on all the specialists!

Dr. Weaver does some adjustments and I’m feeling better in no time. Still not great but much better. I stopped by my store to get the recommended Biofreeze for continued care. I also need to see who won the costume contest.

We have all the non-winners on a yearbook-style poster board on the wall. I don’t see my picture. I’m a winner! Next board, third place winner Taco Cat. She was cool. Second place winner, Family Friendly Joker. He was pretty funny. First place winner… drum roll…Washer and Dryer combo. Don’t get me wrong, they did have an awesome costume. But my costume was by far the best!

Last poster board. Honorable mention. Very large photo of me at the gas station next to my inspiration. Wacky Waving Arm Flailing Inflatable Tube Man. All of this pain for honorable mention?!?! I was robbed!

© 2024 Jay Akin


Jay Akin is a retail professional in his mid-40s. His hobbies include hiking, science fiction, underwater basket weaving, and writing his mostly true autobiography that he intends to sell to Netflix.

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I want your true stories, well told.

Writing prompts are everywhere if you open your eyes… simply a splash of color can be a point of departure for a reminiscence, a musing, a call to action. We live in a beautiful world and now is a good time to celebrate what we have.

We have our truth.

I want to hear about yours. To fill the digital pages of this blog, I publish writing prompts, book reviews, and stories from my own life, but my favorite content is YOUR stories. Here are the guidelines. 

Send your true life stories to sarah.white@firstpersonprod.com and I’ll consider them for publication here.

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Diane and Me

By Loriann Knapton

Diane was my best friend Sue’s mother. I met her during my first playdate at Sue’s house on Wisconsin Street around 1968. Because 1960s etiquette required that all children call their elders by Mr., Mrs., or Miss until they were told that a first name was OK, she was Mrs. Sarbacker to me until a few years later when a change in husbands made her a Balzer, at which point she told me I should just call her Diane, which I did. It was less complicated.

 Over the next 20 years, we had an interesting relationship, Diane and me. One of the “cool” moms in my circle of friends, she was so unlike my own conservative, plain “churchy” mother. Young and pretty with sassy red hair, a larger-than-life smile, and a deep-throated laugh that seemed to start in her toes, she wasn’t afraid to speak her mind on any subject which she did often and unapologetically. Like me, she relished a debate, and like me if she had something to say she said it and damn the consequences. As a result, we sometimes found ourselves doing battle: she and I, usually in disagreement over what was best for her daughter, me, or our respective families. Despite our sometimes-fiery discussions, Diane was a positive force in my life and one of the few people I’ve ever met who could teach life’s lessons by simply allowing one to learn them.

It was Diane who took me to my first professional live performance at a local college: An “arty” modern play, which my 12-year-old self didn’t really understand. But I remember being mesmerized by what was happening on the stage. Until then the only live performance I had seen was the local high school production of The Music Man. It was Diane who initiated me to the wonders of the natural world beyond my own backyard, by taking me on my first visit to Devil’s Lake State Park where we swam and hiked and grilled hamburgers from dawn to dusk. It was Diane, 4-H Foods project leader, who introduced me to my first taste of ripe fresh pineapple. It was so delicious and exotic. I begged my own mother for weeks to please buy this very expensive whole fruit, so excited was I by the revelation that there was an option other than the syrup-packed rings, chunks, and tidbits out of a can labeled Dole that I was familiar with.

It was also Diane who one scorching July afternoon at a private pond on her property sat quietly near the edge of the bank reading a book while I, Sue, and a couple of 13-year-old girlfriends shed suits and went skinny dipping. How scandalously daring we felt, mud squishing between our toes, tadpoles nipping at our feet as we splashed around in the cool shallow water. My own mother would have stopped us and scolded us properly with a lecture on propriety, but not Diane; she just smiled, understanding our need to be safely fearless and kept careful watch to ensure that no one else was around to see.

As I became a young adult our relationship changed from being my best friend’s mom to simply being a friend. As my friend, Diane offered support even when she didn’t agree, and expressive approval when she did. When I was married at 18, the summer after high school graduation, she wished me well but didn’t hesitate to let me know she thought I was a bit young for such a big step. Then she promptly invited me, three weeks before my wedding, to go with their family when Sue moved into her dorm at college.  It was her way, I believe, of showing me there might be other paths to take besides walking down a church aisle in a white dress. A couple of years later when I was nine months pregnant with my first baby, she loudly chided me in front of shower guests not to sit in an antique chair lest “I break it by my excessive weight.” But when ten-pound four-ounce Jacob was born a few weeks later she came to the hospital to see me with big smiles and arms full of infant sleepers. All sizes extra-large. When she directed The Fantasticks for our local community theatre, Diane asked me to be the costume director, supporting and defending me throughout the play’s run to everyone despite my obvious lack of experience. Her confidence in me made me confident in my abilities and was the major reason I succeeded in the task. That was Diane. Throughout her life I don’t think she realized the many positive ways my life was shaped by being in her aura and at the time, neither did I.

The last time I saw Diane was a few weeks before she died. My husband and I (the one she thought I was too young to marry), had just moved from a very small starter home to a larger three-bedroom Cape Cod on the Wisconsin River. She stopped by one evening with Sue to see the house. As I gushed about how wonderful everything was, she listened quietly and then in typical Diane fashion proceeded to point out every flaw as well as how each cupboard, closet, shelving unit, and room could benefit from an update. I smiled and for once didn’t argue because I realized as she spoke that her comments were made not as a criticism but from a place of love. I was certain of this truth as she stood on the sidewalk outside of the house before leaving and said to me, “You know, the important thing, the most important thing, is that you are here. That’s all that matters. I’m just so happy that you are home.”

Sometimes people pass through your life circle during a time when daily living gets in the way of understanding their importance. Diane was one of those people. Her presence in my life throughout the many years we knew each other shaped mine in so many ways. I only regret that I never took the time to let her know.

© 2024 Loriann Knapton

Loriann Knapton has been writing since childhood.  Having crafted countless rhymes, short stories, and personal essays over her sixty-odd years she has a keen interest in ensuring her family memories are recorded for the next generations. Her writing reflects the humorous and poignant experiences of growing up in 1960’s small-town America with her mom and disabled dad.

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Pine Time

by Casem AbuLughod

Casey wrote this essay in the “Summer Fun & Games” workshop I led at Pinney Library last summer. In it he captured just how I feel about “pine time.”

…from a trip out to the Smoky Mountain NP earlier this year…

They walked through the woods, watching their steps on uneven ground. Roots and rocks ready to make one unsteady. Holding hands when the path was wide enough. Looking up through branches to a bright blue sky, the occasional cloud peeking past the leaves filtering the sunlight into cooler air. Rounding a bend, the two find themselves walking on the soft ground created by orange needles. She looks expectantly at him, a small smirk quirking her lips. 

“Do you know what time it is?”

“Pine time.”

They laugh lightly at the familiar wordplay that has entertained them as a couple for years. Standing beneath the sappy spires, they enjoy the sappiness of their own little laughs together as they’ve made a life. Feeling a breeze waft through, carrying the sharp fresh scent of the needles. A sharp word for something so soft to stand upon. 

A memory of campfire and sitting with close humans sharing stories as the light crackles around faces in the darkness, the warmth of the fire, and the friendships, floats through his mind like the ash that puzzled small children who’d never been outside. 

Memory gives way to the present like a scent is overwhelmed by another. Focus shifts and it’s time to continue moving along the trail. Pine time is at an end until the next copse is approached. 

Moving through the forest, more trees are admired and creatures are looked for and occasionally spotted. Here we find them, two humans, creatures of the woods as well, at least briefly. Making their way through makes them part of the space for this time and this space starts to become part of them. Locking in their memories of each other and who they are in the other’s perception of themselves. 

Where do they go in their minds when needing a respite? Do they find pine time on their own or is it only within the reality of the space that we can truly escape? Does the memory act as a safe harbor or add to the misery we try to escape by showing how happiness was once possible? Do we forget the frustrations and pains that led us there?

Maybe it’s time for another walk through the pines. 

©2024 Casem AbuLughod

Casem is a Madison, WI-based performer, stay at home father, and occasional putter of words together. He can be found at www.rhymeswithawesome.com 

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Tupperware Party

By Renee Lajcak

Food container firm Tupperware files for bankruptcy in the US, 18 September 2024

It’s the 1970s in conservative Oshkosh, Wisconsin.  My older brother Bob and older sister Michelle are out of the house in their own apartments, having exciting lives with interesting friends, while I’m still stuck at home going to high school.  One of their more intriguing friends is Roger Beregszazi, someone we all agree is a really nice guy to be around.  Roger is a nurse who lives only a block from our family’s house with a group of other guys.   Michelle is invited to Roger’s house for a Halloween party and I tag along.  I don’t remember my own costume, but I do remember one costume I saw.  It was a young man with delicate features and golden blond curls who dressed in a white nightgown as “Wee Willie Winkie” from the childhood poem:

Wee Willie Winkie runs through the town,

Upstairs and downstairs, in his nightgown;

Rapping at the window, crying through the lock,

“Are the children in their beds?

Now it’s eight o’clock.”

The other thing I remember is the distinctive decorations.  There were groups of two round balloons and one long balloon, attached up and down the stairway banister.  I could easily spot the phallic innuendo, but only saw it as a finger flick in the face of the moralistic adult world I was still subject to.  It took me a while to realize that the group of men, Wee Willie Winkie, and the balloons were a glimpse into the tiny island of gay culture in my hometown in the 70s.

A few months later, Michelle and I are invited to another party at Roger’s more and more intriguing house.  A Tupperware Party of all things.  The mom of one of the roommates is just starting out selling Tupperware, and her son told her that he could get together a group of friends for her to practice on.  The mom, a heavy-set woman in a dress, is sitting on a chair, knees demurely together, with all her Tupperware items displayed around her, hoping to sell some.  But first, at Tupperware parties, goofy games are required.  And this is where the party turned raucous and raunchy. One game was a series of advertising slogans, and we had to name the product.  I still remember two.  Tupperware Mom read from a card, “Breakfast of Champions” to which someone from the back shouted out “Oral sex!” An outburst of laughter from all.  Except Tupperware Mom.  A few cards later, she read, “The taste you hate, twice a day.” to which someone else shouted out, “Now THAT is oral sex!”  These audacious comments were meant to harmlessly entertain the other guys, not to offend Tupperware Mom, but by the time the game was over, she was so flustered that she was trembling.  Despite the bawdy, in-your-face humor of the group (and maybe due to a bit of guilt), the guys then seriously examined all her wares and everybody bought at least one piece of Tupperware.

I read in the 1980s that Roger had died of AIDS.  His mother had written an article in our local paper about Roger and how he died.  I remember being impressed because AIDS was still something that was only whispered about in those early days in towns like ours.  I’m grateful I had an introduction to the joy and laughter of the gay community before this tragedy unfolded.

©2024 Renee Lajcak

Renee is a newly retired English language teacher who has taught in several Asian countries but now enjoys her woodsy backyard the best.  She loves the connections made through storytelling and teaching conversational English, but writing about memories allows her to go inward to contemplate the good, the bad and the ugly.  But mostly the good. 

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Something Had to Give, Part 2

In recognition of World Mental Health Day October 10, an international day for global mental health education, awareness, and advocacy against social stigma, I invited Max Blaska, writer, filmmaker, and mental health warrior, to write about his journey. This is the second of a two-part essay.

Max Blaska had to die. Not completely mind you.  The Max Blaska who gave in to the doubt. The Max Blaska who was not just wallowing in the waters of self-pity but drowning in them. He had to die and from his wake will come his true self, the Mental Health Warrior.

After I got out of Miramont Behavioral facility, I went off of Clonopin, an anti-anxiety drug that was doing me more damage than good.  I clawed my way out of the pit of despair. The film that I thought was dead came back to life. We found a new producer who was quite literally an answer to a prayer. Kurt Krauss came on board around Thanksgiving and we started to film in January.

Watching something I wrote come together like the filming of “Last Rung On The Ladder” was magical. Our first shoot, up in Land O’Lakes, was a little traumatic. In the story and the original script, Kitty died by leaping to her death from her sky-rise apartment. The motel that we stayed in up in Land O’Lakes, the Bel Aire, was a great location and had great hospitality but did not have a high enough railing to shoot the suicide dive. So, we had to rewrite on the spot. We changed the suicide to a drug overdose. This was the way my aunt committed suicide.

I locked myself in my motel room. I was beginning to spiral. My deepest fear was that I would end up like her. The Carnival Barker loves to remind me of that. Our script supervisor Cola Engel knocked on my door and we talked. This shoot and that conversation helped me resolve issues surrounding her death I never knew I was still clinging to.

We shot over three months. Director Jeff Blankenship suggested that we should change the order a bit. Instead of Kitty being dead on the outset of the film, she would kill herself at the same time as the award banquet.

I was dead set against this. In my original version, Larry was aware of Kitty’s death and the  Carnival Barker was trying to goad Larry to join her in death. I thought this would be a betrayal of King’s trust in me. On the last weekend of February 2023, we were filming the large banquet scene. Larry was accepting his award and coming clean about how he failed his sister and he talked about wanting to connect with the one person who always had his back. I realized that Jeff was doing it. I was furious but I didn’t want to create conflict so I just accepted it.

However, I am glad I did because about a month later it dawned on me that this was the perfect ending. Larry was about to make up with his estranged sister but was just too late. It added a heartbreaking ending that the original didn’t have. I texted him saying that he was right.

I was in communication with Anthony Northrup, the author who wrote the definitive book on Dollar Babies. One question that he kept asking was, “King fans are very particular when you alter the original material.”  My Carnival Barker was screaming in my head that altering the story in the way we had was a mistake. “Stephen King will hate this.” “You are betraying the man you respect so much.” “You are a sellout.” Etc.

Of course, that voice was a liar, Anthony and the rest of the Stephen King fan community loved our adaptation. The film will be screened at the first annual Stephen King Convention in October 2024.

Stephen King discontinued the Dollar Baby Program on December 31, 2023. Our film is one of the last. We finished shooting in June but the editing was a long and arduous process and I started to get depressed and obsessed, thinking we wouldn’t get it done in time for the December 31 deadline. That was also the deadline to get into the Wisconsin Film Festival.

“Last Rung” premiered in Oshkosh on January 28th, 2024, in the same venue that we had filmed in. We made it a celebration of mental health.

The contract stated that I could not use the film for commercial use but I wanted to use the screenings to showcase mental health charities and to tell my story of suicide to filmmaker.

We could not advertise it as a fundraiser but if people wanted to give a goodwill offering, they were more than welcome. The two non-profits were the Franki Jo Foundation and Damascus Road Project. The Franki Jo Foundation is a suicide prevention organization started by Franki Jo Moscato. She was an “American Idol” runner-up as well as an actress in our film. She won a fictional award from a fictional non-profit for her real organization. She also provided the song “Tightrope” that became our theme song and my go-to song to keep the Barker at bay. I also wanted someone from Oshkosh-based Damascus Road Project to speak. I thought it was important because they help sex workers escape from sex trafficking and our female character was one.

I emailed Franki Jo and didn’t hear back from her and I was obsessed with the thought that I pissed her off by having two non-profits there. Instead of enjoying the lead up to the premier, I was in mental agony.

But she was not angry at me in the slightest. Her mom put her arm around my shoulder and said, “You did this.” I did do this. My anxiety and depression lie to me. And this experience has shown me that clear as day.

In May in Madison, we had the “Mental Health Warrior Film Festival”, which I started. Twenty-three short films were shown and filmmakers came from Chicago, Toronto and Los Angeles. I did this. All the worrying and fretting was for naught. The voice of despair and failure screaming into my head was wrong. I knew that he would rear his ugly head sometime in the future, but  for now, I enjoyed this accomplishment.

Being invited to my first mental health summit in Salt Lake City was great. Of course the voice was telling me that I was unworthy, that I would just embarrass myself, that all my dreams are for naught. I networked. I never thought I was able to do this. I impressed myself. I met several people there. We exchanged business cards. I was particularly fascinated by the Mental Health Storyteller’s Coalition. They are a group of entertainers, writers, producers, etc. who are using their talents to shape the way we talk about mental health. I am under consideration as a possible new member.

I have flown to a Mental health festival in Denver. I will fly to Las Vegas where “Last Rung” is going to be screened at the first annual StephenKingCon. And next month the film will be screened in Santa Monica at the Ethos Film Awards.

The voice of despair and anxiety is still there. But unlike two years ago, I am able to push through. I look back at all that I have done in the last two years and I know that I am  just getting started. I know that endurance and faith will get me there.

Those thoughts are always there. The thoughts plagued me writing this essay. “Who are you to write this?” “Nobody will care about your story.” “You are fooling yourself that you are a writer.”

I beat those thoughts before and I will beat them again. I hope my story might inspire others who are plagued by paralyzing self-doubt, anxiety, and depression that if I can do it, so can you.

Creativity is our best weapon against the darkness. All we have to do is wield it.

© 2024 Max Blaska

Max Blaska is a 47-year-old writer and filmmaker who has been fighting against mental illness and the stigma that comes with it for most of his adult life. He believes that creativity is one of the most important weapons in this fight. His latest short film “Last Rung On The Ladder” is getting awards and playing the film festival circuit.

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Something Had to Give

In recognition of World Mental Health Day October 10, an international day for global mental health education, awareness, and advocacy against social stigma, I invited Max Blaska, writer, filmmaker, and mental health warrior, to write about his journey. This is the first of a two-part essay.

By Max Blaska

“You are not actually going to write that are you?” “You can’t ask him that, he is just going to say no and you will embarrass yourself.” “This is as good as it gets. You are going to be stuck in your dead end job forever.”

We all have these thoughts. They come and go and usually they are able to be pushed aside like those little tiny insects that congregate around light posts. But that is for normal people. For people with moderate to severe anxiety or depressive disorders, that voice is around almost 24/7.

In 2022 these thoughts almost killed me. But I decided not to let them destroy me.

That is what these essays are about. As I said, everybody has this voice but not everybody is able to show that voice on screen. My name is Max Blaska. I am a writer, filmmaker, and mental health advocate. This is a story of drive fighting entropy, happiness fighting sadness, and hope fighting despair.

Writing is hard when you have an inner critic. Every writer has one. But when you have a mental illness, that inner critic can be paralyzing. He edits everything. It makes you dread taking pen to paper or fingers to keyboard. But I can write. I have done it before.  I will do it again. I am doing it right now.

I have always been a storyteller. I directed half-written/half-improvised murder mysteries with the neighborhood kids when I was in elementary school. I can’t call myself an author. An author has discipline. My anxiety and depression make discipline very hard to come by. But I am becoming better every time I write. One of my favorite quotes is from Stephen King. “You can learn to be a writer. But you can’t learn to be a storyteller.”

It is amazing that you can live years of coasting, going to a job, watching TV, eating, and sleeping.  Each day bleeds into the next. But then something happens that changes everything.

For me it was a trip to Bangor, Maine in the summer of 2021 after the Covid restrictions were lifted.  I went with my cousin Olivia. Acadia National Park was beautiful but what really stood out was the tour of King Country with SKTours. We saw the manhole where Stephen King was inspired to write Pennywise, the human cemetery that was the location for “Pet Semetery,” and more. I told James Tinker, the tour guide, that I co-wrote four short films. He told me about the “Dollar Baby Program” in which King contracts with students and very, very independent filmmakers to adapt one of his short stories into a film for the cost of one dollar.

I knew what story I wanted to adapt immediately. “Last Rung on The Ladder” was a short story about suicide. I knew I wanted to make a film that touched on mental illness and suicide. August 2022 was going to be the 25th anniversary of my Aunt Betty’s suicide, I loved my Aunt Betty. She was the one who introduced me to Stephen King in the first place. When she babysat me, we would watch movies that 11-year-old me maybe shouldn’t have seen. She also was a mental health advocate. She struggled with bipolar disorder and was one of the pivotal figures of the mental health consumers’ movement in the ’70s through early ’90s.  She struggled with bi-polar disorder. We lost her to it in 1997.

King’s story in the “Night Shift” collection is about a high-powered attorney who gets a letter from his estranged sister. She reflects on a time when they both were kids playing a dangerous game in the barn; when the ladder she was climbing broke and she almost died. Quick thinking on her brother’s part saved her. Her last words in the letter say that it would have better if he hadn’t saved her. He received the letter after her suicide.

I wanted to show the turmoil of the brother. First I changed the brother from a lawyer to a pop psychologist, making the backdrop of the film a NAMI-like organization’s awards banquet. Larry Gatling, the brother, was receiving an award for fighting stigma of mental Illness but his own stigma against his own sister’s sex work killed her.

The previous year I was working with the Super Better therapy system. The key is to make fighting your personal demons into a game. You have secret identities, power-ups, quests, allies, and bad guys. This is when I took on the mantle of Max the Mental Health Warrior and created the Carnival Barker of Despair as a bad guy. That was the name I gave this unrelenting voice, and I made him a character in the film.

I have been battling this depression and anxiety for most of my life, I had my first anxiety attack when I was ten and had my first depressive episode when I was fourteen. I have been through many therapists and even more medications. I would get better and I would get worse. Never had serious suicide attempts. Got really close only two times. The last time in 2022.

It didn’t take long to write the script. But something was missing. The character of Kitty, the sister, just wasn’t jelling. So I asked a friend and established screenwriter Karla S. Bryant to help me. She made Kitty come alive.  Once the screenplay was finished, I found a producer and a director.

I first met the director, Jeff Blankenship, in 2015. I was at a screening of my first short film. A friend and cast member, Tim Towne, suggested that I go to lunch with a few of his friends. The Barker was screaming, “Don’t go. You will embarrass yourself.” I forced myself to go and I am glad I did. It was a meeting for the 48 Hour Film Festival where a team has to write, direct, act, edit, and score a five-to-seven-minute film in 48 hours. I joined their team and a had great time. If I had listened to that voice, I might not have ever met him. 

We cast “Last Rung” in late spring of 2022, looking forward to beginning shooting in the fall. That summer was very bad for me. A longtime friend got really sick and almost died. To help him and his wife out, I was house-sitting for them and their four dogs in a small house. They drove me crazy with their constant barking and whining.

But by the end of that summer, it looked like the project was dead. Our producer wasn’t really doing his job of getting locations, having meetings, and the other details needed to make a production.  I also realized on the anniversary of my aunt’s suicide in late August, that I was the same age she was when she ended her life. My Carnival Barker of Despair was having a field day. “You know this film will never be made, right?” “You would be better off dead.” “So, you can’t kill yourself because you don’t want to leave your parents behind. Why don’t you kill them and then kill yourself?”

This last thought scared the living daylights out of me. I committed myself to Miramont Behavioral  Health Facility. It was the worst 48 hours of my life. The screaming, the indifferent staff, the BBQ sandwiches that tasted like they went through the digestive tract already. This place was not helping me. I had to get out. Thankfully, with a lawyer’s help, I got free of the place.

I knew that I could not kill myself. That was not an option. But the film was falling apart. My decades-long friendship was falling apart. I was falling apart. I was a 45 year old single male without a job or a future who knew he couldn’t survive like this.  Something had to give. But sometimes when you are at your lowest ebb, that is when things really start to change.

To be continued…

© 2024 Max Blaska

Max Blaska is a 47-year-old writer and filmmaker who has been fighting against mental illness and the stigma that comes with it for most of his adult life. He believes that creativity is one of the most important weapons in this fight. His latest short film “Last Rung On The Ladder” is getting awards and playing the film festival circuit.

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